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2016 (2)

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Book
Das Christusbild : zu Herkunft und Entwicklung in Ost und West : Akten der Kongresse in Würzburg, 16.-18. Oktober 2014 und Wien, 17.-18. März 2015
Authors: --- --- ---
ISBN: 9783429041991 3429041996 Year: 2016 Volume: 62 Publisher: Würzburg Echter

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Abstract

Der reich illustrierte Band bietet die Beiträge von Kongressen in Würzburg 2014 und Wien 2015 zum Thema "Christusbild". Etwa drei Dutzend Experten - Exegeten des Alten und Neuen Testaments, Patristiker, Syrologen, Slavisten, Byzantinisten, Ikonenspezialisten, Historiker, Kunst-, Rechts-, Textil-, Liturgie- und Musikhistoriker - präsentieren ihre interkonfessionellen Forschungen, die zeitlich von der frühchristlichen Zeit ins 19. Jahrhundert, inhaltlich vom alttestamentlichen Bilderverbot zur Heilig-Antlitz-Verehrung der hl. Therese, von den Acheiropoietos-Ikonen (nicht von Menschenhand gemachten Bildern) Christi über das Turiner Grabtuch und die Veronica in Rom zum ,Muschelseidentuch' von Manoppello reichen.


Book
Women artists in early modern italy : carreers, fame, and collectors
Authors: --- ---
ISBN: 9781909400351 1909400351 Year: 2016 Volume: *2 Publisher: Turnhout Oostkamp Harvey Miller Publishers Grafikon

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In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes--so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to public scrutiny, to a much greater extent than what their male counterparts experienced. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting their self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, but turned their backs to the contemporary women artists their midst.

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